Seasons in the Studio

Fine art Inspired by Nature: White Line Woodcuts, Illustration in watercolor and pencil, Photography

Sunday, May 17, 2026

Studio Update-May 17, 2026

 Time for an update!

I've completed two of the four realistic drawings I started this year.  One was just accepted at the Salmagundi Club 48th annual open juried exhibition in NYC.  I'm truly pleased and honored to be included for a second time in this exhibition.  This drawing is my third piece in colored pencil, and it took hundreds of hours and months to complete.  I'm not new to painting, but very new to colored pencil.  Many challenges.  

My favorite media to draw with are graphite and charcoal (you learn these in art school), and color work is always a challenge in realism, especially in colored pencil.  You learn pretty quickly there is only so dark you can go with it and then it can't go any darker.  I'm still experimenting to find a paper I love with it.

Realism is not for the faint of heart.  Details matter, but so does artistic interpretation of the subject, no matter the medium.  Even in graphite and charcoal, a recent drawing took 160 hours to complete.  You don't crank these out at a rapid rate!

I'm really happy to have this work recognized.

I have just started my pieces for SAGA Mini Gems this fall.  I'm also carving another Mokuhanga print and doing more printing with the blocks I have already carved.  Always busy!


Winter Conservatory

Colored Pencil on Arches 300 Pound paper

15 x 22 inches


Finished carving the key block for this new Japanese print.  Printing this week.



Sunday, April 5, 2026

Studio Update: April 5 2026

 Happy Spring!  It's the weekend of the tulip festival in Lewes.  We're having typical spring weather, warm and sunny followed by cold and rainy.  Great weather for planting roses (I did) and viewing tulips in bloom!  They are everywhere here!


I have worked for several weeks pulling Mokuhanga prints from the blocks I have already carved.  I feel like I have a good working knowledge of the carving, even if I'm still learning.  The printing needs much work.  So for practice, I have been making proofs experimenting with the sky, the gradations, the layering and multiple blocks.  Here is a greatly improved (over my first attempts) print of Kubuta Gardens in Seattle.  The blocks are 8 x 10 and there are 4 blocks (there were 5 but one was redundant so I eliminated it).  There are 8 colors and 13 passes in this print.  I'm pleased with the sky and certain aspects of the scene and will keep making prints of this.  The gradation in the background foliage was very challenging since it is all on one block.  I like the composition.  It's printed on Okawara paper.


I started carving a block for a Mokuhanga print from the same scene I made a white line print of last year.  I am just carving the Key block now.  I transfer my image by drawing it in very soft (5B) graphite pencil and then rubbing it on to the block.  I discovered if I then put a thin wash of Nori on the block and let it dry, the graphite stays put and doesn't smudge when I start carving!   I wish I had thought of this years ago, I have this problem in my white line prints also!  This is an 8 x 10 block and I haven't decided how many blocks I will use for the print.










Sunday, March 8, 2026

Studio Update March 8, 2026

Winter is finally exiting the northeast.  We spent the weekend cutting back all the broken branches in our trees, and bagging them up for the yard waste pickup this week.  We were in the Pacific Northwest when the storm hit and managed to get home to huge piles of snow.  We've been hearing there were so many downed trees they are having to truck them elsewhere because there isn't space for them here.

I am working on some proof prints and have some preliminary photos.  It's the same scene in two different printmaking techniques.  I took a couple of quick photos with my phone, will do a better image when I get the final prints pulled.


Autumn at Owl's head, white line woodcut print.  Still on the block so a little distorted. 18 x 24 inches.


Mokuhanga proof print of the same beach, 8 x 10 inches.

I'm working on a very large realistic landscape colored pencil drawing but it has a long way to go until it's finished.  I'll start a few new blocks this week.  Spring is coming.....

I'll sign off with a few views of the Olympics in Washington.  Mt. Olympus puts on a spectacular show at sunset.  So calming and peaceful and lovely.





Sunday, February 1, 2026

Studio Update and cold weather update! February 5, 2026



Current Exhibitions where I am showing my work:

Visual Voice International Juried Exhibition, at the Cape Cod Museum of Art:

There is a link on this page to the recording of the gallery talk with the artists and the catalog.


Peninsula Gallery Opening is cancelled due to the extreme cold weather predicted for Saturday!
However, the show is up and available to view.  Wait until it warms up a little and go see it!!

Peninsula Gallery



And this article from the Cape Gazette:

Lewes artists’ exhibition to open Feb. 7 at Peninsula Gallery

January 31, 2026

Members of the Lewes Artists Studio Tour will be showcased from Saturday, Feb. 7 to Sunday, March 1, at the Peninsula Gallery, 520 East Savannah Road, Lewes. The exhibition will feature more than 30 original works from 14 artists.

An free opening reception will be held from 5 to 6:30 p.m., Feb. 7, open to the public and offering complimentary wine and snacks. Attendees will have the opportunity to mingle with some of the participating artists. 

From traditional acrylic and watercolor paintings to abstract fiber pieces and functional pottery, the works juried into this exhibition come in a variety of mediums, styles and sizes. Some of the pieces embrace traditional scenes such as landscapes, floral portraits and animals in the wild, while others take a more modernist or abstract approach. The show also includes some sculptural pieces for those with an eye for functional art. With such a range of images, this collection has something for every taste. 

This juried display features artwork from Kathy Brady, Jean Doran, Fred Dylla, Joan Fabbri, Marilyn Feldman, Ruth Ann Kaufman, Theresa Kehrer, Sarah Pavlik, Steve Rogers, Bob and Lois Schlowsky, Jeff Watson, Bonnie White and Caryl Williams.

The Lewes Artists Studio Tour is an annual art event in the Delmarva region that takes place the third weekend in September. It presents a unique opportunity for attendees to enter the working environments of regionally and nationally acclaimed local artists.




Tuesday, January 20, 2026

Studio Update January 20, 2026

Wow this month is flying by.  I'm taking a Mokuhanga workshop with Charlie Spitzack at the Winslow art Center this month.  It's great being with my fellow printmakers again on Zoom!  I believe in lifelong learning, especially in the arts.  Printmaking is a fine art that is accessible to almost everyone.  Woodblock printmaking is the oldest form of printmaking and needs no presses or special chemicals.  Kids can do it, seniors can do it.  It's great fun.  In an increasingly digital world, it's more important than ever.

I'm also working on White line woodcuts and drawings.  Photos below.

UPCOMING EVENTS

I'm participating in the International Juried Exhibition at the Cape Cod Museum of Art that opens January 30.  It's an honor to have been included in this show.  There were 318 artists from 34 states in the USA, The District of Columbia, Canada, Germany, Mexico, Spain, France, Italy, Malaysia, and Kuwait who submitted 551 artworks for this exhibition.  Only 74 artworks were selected.  The jurist was David Henry Perry, former manager of the Bertha Walker Gallery in Provincetown.  https://www.ccmoa.org/upcoming-exhibitions

There were several prints accepted in this exhibition, however mine was the only white line woodcut.  To have a white line woodcut accepted in the home of the place they were invented is a tremendous honor.

The Peninsula Gallery in Lewes Delaware is hosting an exhibition of work from the Lewes Artists in February.  I will be showing three white line woodcuts.  https://www.peninsula-gallery.com

The SAGA exhibition at the Housatonic Museum of Art is still up until mid February.  Still time to see it! SAGA

There will be a beginner class on making white line woodcuts at the Lewes Library on April 22 running three days.  I will post details later!  woodcut class

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Here's what's happening in the studio!  Japanese printmaking-


Transferring the image from the carved key block to the other blocks to be carved.  This is an 8 x 10 block

Print of the Key block

Test print in color, still developing the sky.














Here's a white line woodcut in progress of the same beach with more detail and the clouds.  This print will be 10 x 15 on a larger block.














Wednesday, January 14, 2026

There Are No Roads To This Place

I am participating in Art in the AM at the Lewes Library on January 14, 2026.  I thought it would be fun to share some photos from the hike to Lake Twenty Two in the Cascades.  I couldn't include them in my presentation on the art that I created from this adventure.

These were my comments to the group.

The title of this work is “Alpine Oasis” but it could have been:  “There Are No Roads To This Place”…..


I was trained in and work in classical realism.  Realism requires an intimate relationship with your subject.  Realism is labor intensive and has exacting standards.  My finished pieces are the result of careful execution, many studies and sometimes months of work.  My goal for this piece was “Painterly Realism”.


When I work from reference photographs they are my own.  They help me form an understanding of my subject, BUT I also need to walk around that lake, to touch those trees, to see the light playing on the water and to feel the cold air on my face.  Walking around this lake involved hiking a long distance out and back to reach it…..there are no roads to this place.  This was a serious hike over very rugged, remote mountainous terrain.

  

I often work the same scene in more than one media as a way of forming that intimate relationship with my subject.  Colored pencil is very unforgiving and I did many drawings and thumbnail sketches before I started this work. There is a lot of information in this scene.


This landscape immediately appealed to me as a great study in aerial perspective.  I loved the color and subtle movement of the water and the reflections of the trees on the far bank.  Those were important elements I wanted to capture.  I wanted to convey the green beauty of this place and also the harshness of the environment with the dead trees.  Trees apparently don’t live long here.  The most important element of all was the quiet peacefulness of this place.


Howard Pyle once said “project your mind into the subject until you actually live in it.  Throw your heart into the picture and then jump in after it.”  

When I look at this drawing I can still smell the trees and feel the cold air on my face.  I hear the waterfalls and remember how peaceful it was.


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We chose this hike on the suggestion of someone who hadn't been there but had heard that it was beautiful and a moderate difficulty hike.  We read the trail reviews beforehand and took a printed trail map with us because we were told cell phone reception was "spotty".  What that really meant was there was no cell phone reception...

We started the hike at around 9:30 AM.  You immediately get a sense of what is to come with the rocks and water everywhere.  We begin at around 1000 feet in the rainforest.  Water spills out of the side of the mountain.  The trail is stunningly beautiful.




We reach the first crossing of real water.  A wooden bridge built and maintained by the Washington Trails Association.  The volume of water is amazing.  It's late June and most of the snow has already melted.  Or so we thought.  A little farther up, the first of many waterfalls.  The last photo is about an hour into the hike.  So far not too challenging for us.


 




















Everywhere the trail might be hard to navigate, the WTA has built stairs.  This next waterfall was so huge I couldn't see the top of it.  The sound was deafening there was so much water.  We reach another set of stairs climbing, and more climbing...  And then we came to the landslide...


























This was the first place where we realized the difficulty of this hike.  We'd read before the trip about a landslide and thought this was it.  We got above the landslide on all fours holding onto whatever we could grab.  Mud everywhere.  The trail was gone.  We got through that difficulty and came to a spectacular clearing.  After that, the REAL landslide.  Boulders the size of a VW beetle in places.  If you weren't watching your footing, you could get into trouble.  It was around 11 AM by now.


























Thankfully the WTA had accurate reports of how long and difficult this part of the hike was.  We knew it would eventually end.  Still picking our way through it.  And then another unbelievable view.  And Mountain columbine along the path.  



















It was after 11:30 at this point.  We were taking a rest and making decisions about whether to continue when some young people came bounding down the mountain and stopped to check in on us.  We asked them if it was worth it to continue on and how much farther we had to go.  The gleefully told us we were nearly there and that we couldn't quit now!  We were not the oldest people on the trail that day but we'd never done this hike before and wanted to make sure we weren't getting in over our heads.  We still had to get back down.  Fifteen minutes later we were there!





















There is a boardwalk to the glacier.  The ecosystem here is fragile.  You can hike around the lake but some of that involves hiking on the glacier.  We decided against it since we didn't have ice cleats and there was significant melting of the snow.  Falling into an ice crevasse wasn't my idea of a good time.

























Our friend visited this location several weeks later after hearing our story of the hike.  Their response to us afterwards was "OH MY GOD!  I CAN'T BELIEVE I SENT YOU TO THAT PLACE!  It wasn't that bad, really.......

A huge thank you to the Washington Trails association for making this possible.  They are an all volunteer organization that maintains trails, makes maps and has a website with current information about all the trails in Washington State.  Washington Trails Association






Friday, December 26, 2025

Studio Update December 26, 2025 and an Update!

Winding down 2025 here at the beach!  It's been quite a year for us.  Many, many, ups and downs and challenges.  Looking forward to starting the new year with new work and new opportunities and some time with family!

I finished my 50th white line woodcut this week.  It's the full drawing from which I took my mini-gem being shown at SAGA in NYC.  I made this print slightly larger than the 4 x 4 required size of the SAGA show.  I don't often work this small and I enjoyed being able to finish a print in weeks rather than months!

"Winter Solstice"


I am starting new projects and hope to have more to post soon.  I will be starting another Mokuhanga workshop through the Winslow Art Center studying with Charlie Spitzack.  

I'm participating in the Art in the AM program in Lewes on January 14th at 10 am.  Reservations for this event are required, it fills up.  Art in the AM

The Lewes Artists are having a group show at Peninsula Gallery in February.  More to come.  Peninsula Gallery

I have been accepted in the International Juried Exhibition "Visual Voice" at Cape Cod Museum of art this January. The Print is "Christmas At Longwood II". The jurist is David Henry Perry former owner of Bertha Walker gallery in Provincetown.  This is a significant honor.  CCMA




Tuesday, November 25, 2025

Studio Update November 25, 2025

 Time for an update!  

The SAGA Mini Gems show in NYC opens the 6th of December in their gallery in Union Square.  I have a piece in this show as well as the SAGA show at the Housatonic Museum of art in Bridgeport CT.

The Lewes Artists will be having a group show at Peninsula Gallery in Lewes in February.  Opening is February 7th at 5 PM.

I am participating in the Art in the AM program at the Lewes Library in January. The event is January 14 at 10 AM.  I will be presenting a drawing at that event.

More shows as information becomes available.

As the year is winding down and plans for next year are being put into place, here are a few things I have been working on in the studio.

Several new drawings are in progress.  No photos yet.

I've been taking another multiple block printmaking series with Charlie Spitzack in Seattle.  Here is some of the work from that workshop.

Preliminary drawing and carving of a scene at Kubuta gardens in Seattle.








printing the block, first state, oil based inks












Second state











third state











fourth state









fifth state












the final print in oil based inks







The same print using Mokuhanga techniques and water based inks










I am working on some preliminary drawings for a new large landscape white line woodcut.  More to come later!  I will also be taking the Mokuhanga Printmaking workshop in January with Charlie Spitzack through Winslow art Center.